James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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James Tissot The Dreamer(Summer Evening) oil painting


The Dreamer(Summer Evening)
undated 1' 1 1/2 x 1' 11 1/4''(34 x 59 cm) Bequest of William Vaughan,1919.
Painting ID::  11166
James Tissot
The Dreamer(Summer Evening)
undated 1' 1 1/2 x 1' 11 1/4''(34 x 59 cm) Bequest of William Vaughan,1919.
   
   
     

James Tissot The Ball oil painting


The Ball
undated 2' 11 1/2 x 1' 7 3/4''(90 x 50 cm) Bequest of William Vaughan,1919
Painting ID::  11167
James Tissot
The Ball
undated 2' 11 1/2 x 1' 7 3/4''(90 x 50 cm) Bequest of William Vaughan,1919
   
   
     

James Tissot Portrait of Mlle.L.L(or Young Girl in Red Jacket) oil painting


Portrait of Mlle.L.L(or Young Girl in Red Jacket)
1864 (Salon of !864) 4' 1'' x 3 3''(124 x 99cm)
Painting ID::  11175
James Tissot
Portrait of Mlle.L.L(or Young Girl in Red Jacket)
1864 (Salon of !864) 4' 1'' x 3 3''(124 x 99cm)
   
   
     

James Tissot The Return of the Prodigal Son (nn01) oil painting


The Return of the Prodigal Son (nn01)
Tissot's 1862 painting le retour de l'enfant prodigue (The Return of the Prodigal Son) Places the biblical story in a Leys-Inspired medieval setting
Painting ID::  22843
James Tissot
The Return of the Prodigal Son (nn01)
Tissot's 1862 painting le retour de l'enfant prodigue (The Return of the Prodigal Son) Places the biblical story in a Leys-Inspired medieval setting
   
   
     

James Tissot Tissot in an artist's studio (nn01) oil painting


Tissot in an artist's studio (nn01)
painted in 1868 by Degas,a friend from his student days
Painting ID::  22844
James Tissot
Tissot in an artist's studio (nn01)
painted in 1868 by Degas,a friend from his student days
   
   
     

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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